Coverart for item
The Resource A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner

A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner

Label
A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927
Title
A beautiful pageant
Title remainder
African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927
Statement of responsibility
David Krasner
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1952-
http://library.link/vocab/creatorName
Krasner, David
Dewey number
812/.5209896073
Illustrations
  • illustrations
  • plates
Index
index present
LC call number
PS338.N4
LC item number
K73 2002
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • American drama
  • African Americans in the performing arts
  • African American theater
  • Performing arts
  • American drama
  • African Americans
  • Theater
  • American drama
  • African Americans in literature
  • Harlem Renaissance
  • Harlem (New York, N.Y.)
Label
A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
African American performance in the Harlem renaissance -- Men in black and white: race and masculinity in the heavyweight title fight of 1910 -- Exoticism, dance, and racial myths: modern dance and the class divide in the choreography of Aida Overton Walker and Ethel Waters -- "The pageant is the thing": black nationalism and The star of Ethiopia -- Walter Benjamin and the lynching play: mourning and allegory in Angelina Weld Grimké's Rachel -- Migration, fragmentation, and identity: Zora Neale Hurston's Color struck and the geography of the Harlem renaissance -- The wages of culture: Alain Locke and the folk dramas of Georgia Douglas Johnson and Willis Richardson -- "In the whirlwind and the storm": Marcus Garvey and the performance of black nationalism -- Whose role is it, anyway?: Charles Gilpin and the Harlem renaissance -- "What constitutes a race drama and how may we know it when we find it?": the little theatre movement and the black public sphere -- Shuffle along and the quest for nostalgia: black musicals of the 1920s -- Conclusion: the end of "butter side up"
Control code
ocm49260895
Dimensions
25 cm
Edition
First edition.
Extent
xii, 370 pages, 16 unnumbered pages of plates
Isbn
9780312295905
Lccn
2002025109
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)49260895
  • (Sirsi) a746201
Label
A beautiful pageant : African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927, David Krasner
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
African American performance in the Harlem renaissance -- Men in black and white: race and masculinity in the heavyweight title fight of 1910 -- Exoticism, dance, and racial myths: modern dance and the class divide in the choreography of Aida Overton Walker and Ethel Waters -- "The pageant is the thing": black nationalism and The star of Ethiopia -- Walter Benjamin and the lynching play: mourning and allegory in Angelina Weld Grimké's Rachel -- Migration, fragmentation, and identity: Zora Neale Hurston's Color struck and the geography of the Harlem renaissance -- The wages of culture: Alain Locke and the folk dramas of Georgia Douglas Johnson and Willis Richardson -- "In the whirlwind and the storm": Marcus Garvey and the performance of black nationalism -- Whose role is it, anyway?: Charles Gilpin and the Harlem renaissance -- "What constitutes a race drama and how may we know it when we find it?": the little theatre movement and the black public sphere -- Shuffle along and the quest for nostalgia: black musicals of the 1920s -- Conclusion: the end of "butter side up"
Control code
ocm49260895
Dimensions
25 cm
Edition
First edition.
Extent
xii, 370 pages, 16 unnumbered pages of plates
Isbn
9780312295905
Lccn
2002025109
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)49260895
  • (Sirsi) a746201

Library Locations

    • Central Library, Jesse H. Jones BuildingBorrow it
      500 McKinney St., Houston, TX, 77002, US
      29.759431 -95.369953
    • Jungman Neighborhood LibraryBorrow it
      5830 Westheimer Rd., Houston, TX, 77057, US
      29.7384812 -95.4812985
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